Think, The Office. Michael Scott meets Moses in the Book of Exodus wilderness workplace comedy that is both clever andsurprisingly reverent.

Written and directed by Mitch Hudson, assistant director of The Chosen, THE PROMISED LAND Series—streaming on YouTube—reimagines the Hebrews’ desert journey with a fresh comedic and human lens. The result is a comedy that is irreverent toward human flaws, yet deeply reverent toward Scripture.

Many of the cast and crew have been part of The Chosen, including SHEREEN KHAN. An East Indian-American actress, writer, producer, and musician, she is known for playing Queen Herodias in The Chosen, and now plays Miriam in THE PROMISED LAND Series.

BuddyHollywood’s Paula K Parker had the opportunity to chat with Shereen about playing two strong yet flawed women; the challenges of filming in the desert near Saint George, Utah; and her hope that—through this series—viewers will see themselves, their challenges, and their ultimate hope.

 

PAULA K PARKER: Hello, it’s so lovely to meet you. Thank you for taking time to chat with me.

SHEREEN KHAN: Likewise, such a pleasure. Thank you so much for having me.

PKP: When I was sent the trailer and production notes for THE PROMISED LAND, and read, “The Office meets the Old Testament,” I wasn’t sure what to think.

 Then I watched the trailer and laughed out loud. I had to show it to my husband. He belly-laughed. After we watched the pilot, I immediately told all my friends and family, “This is fantastic! You have to watch it!” We have watched through Episode Five and it is wonderful!

 SHEREEN KHAN: Thank you!

PKP: In The Chosen, you portrayed Queen Herodias. On the surface, that role would appear to be completely different from Miriam. Miriam has a kind and loving heart and wants to help her people. On the other hand, I don’t see Herodias being anything but selfish. Yet, they are both very strong women. What did you see coming from playing Herodias to playing Miriam?

SHEREEN KHAN: Such an excellent question because it really does feel like a wide bridge between them. But I think you nailed it; there is a kernel, there is a thread, that connects not just the two of them, but it’s human behavior. It really exemplifies what happens to somebody who faces that fork in the road with fear and human struggles. What happens when you go this way, or what happens when you go that way? It’s about all about your choices.

With Herodias, her fear, her lesser humor, got the best of her. Because of the world she is in, I think she feels her life is threatened; she’s still encapsulated by it. For the character work, I gave her a little bit of the Lady Macbeth treatment, where she’s got these ambitions. Even though she is in a high exalted place as royalty, she is still a woman and she is beholden to the men in her life. Even her own grandfather, you know, murdered her father when she was eight years old. As a result, every threat to her was a literal life-and-death.

In this way, we can humanize our villains and make it easier to make those stories a little acceptable although, by the end of it, we see something brutal and horrible and truly unforgivable.

With Miriam, she chooses her faith and her covenant with God. She’s very human and she fumbles, and there’s folly, and she’s got her own shortcomings in her ability to connect with people. Ironically, her own intelligence and self-awareness becomes her biggest obstacle. And I really think that’s so beautifully written by Mitch and Madison (Hudson); they have really heightened what it is to be a woman in that time and to come with all of these complexities. And that’s really fun to play, and it gives me a lot to interpret. How she can be awkward, maybe even at times, a  little plucky.

PKP: Yes! In the episode where you and Zipporah (Tryphena Wade) were trying to get the tent built. Miriam had a really good design for the tent and Zipporah had this beautiful feminine thing with the jewelry and fancy trim.

Korah (Brad Culver) pointed to her design and said, “No, we’re not going to do that one.” Then you stood up for Zipporah and told the men, “No, we’re going to do Zipporah’s design,” even though you secretly preferred your own design. That was an important moment for me because you portrayed Miriam as wise and kind.

This brings up another question. You’re a comedian. Most of the comedians I know are fantastic at ab-libbing. How much of your role did you get an opportunity to add lib, or where you asked the Director, “Hey, what if Miriam said this or that?”

SHEREEN KHAN: There were definitely opportunities. What’s wonderful about this set is that we’re all given moments and opportunities to riff a little bit and add a little bit of additional point of view.

I have to say the improv isn’t my strongest suit. Sometimes things come to me, and that is something I’m actually working on. But the rest of the ensemble, they’re so good at it, every one of them like it. Artoun Nazareth, who plays Joshua, does professional improv comedy in real life. Majed Sayess, who plays Aaron, is the standard of comedian, and on and on.

But it’s really fun to play when given the opportunity, and especially during the interviews segments. Sometimes we get opportunities for extra moments. Like the buttons that are the camera lens pegs—where we look to the camera—sometimes they’re scripted, but a lot of times it’s just like you go with your gut. I really lean into physical comedy when it’s available; that’s really my favorite.

PKP: I could see you have those beautiful nuances with your facial expressions, where you convey so much with a look and not too many words. That says a lot about you as an actress.

SHEREEN KHAN: Thank you. I have a lot of fun with it.

PKP: When you did The Chosen, it was filmed in Texas, but THE PROMISED LAND is filmed in Utah. How was it to be filming there? It looks hot and desolate.

SHEREEN KHAN: It seems that way. Saint George, Utah, where we were, is a lovely community and we felt so welcomed by the people. I adored every minute of it.

When we first started, when it came down to facing the elements and shooting in the desert, it was all right. I’m okay with heat for the most part. But as we progressed through the shoot, the desert has these extremes that come out of nowhere. One day, it can be absolutely beautiful, and the next day, it has gusting, gale-force winds, and—even though it is 50°—it feels like it’s below 0°.

There are scenes I am fascinated and amazed at, like when the men were building the tent and we would have to hold for wind. It was freezing and the costume department would come in and huddle us and hug us with these big police jackets and blankets and thermal blankets. And then we continued and the wind is a gentle breeze. I thought, “How are our teeth not chattering?”

It just goes to show how we were all into it. It really felt harrowing, but in conditions like that, it was like you were in the bunkers together. We had a great time. But that’s part of being on location.

PKP: The trailer for THE PROMISED LAND make you think this is going to be a light comedy, but it’s more. I can see where someone who struggles with low self-esteem, or anger, or other challenges, could watch what some of the characters are facing and think, “I know what that’s like.”

Watching you and the other cast members and these different episodes is wonderful, because instead of being stained-glass saints, your characters are human. They are ordinary people, and that makes them so accessible. I think, going further into the series, this is going to resonate even more.

SHEREEN KHAN: Thank you. That means a lot. That is obviously the goal.

PKP: Beyond that goal, what else do you want the audience to take away from seeing THE PROMISED LAND?

SHEREEN KHAN: I think that it’s relatable and—one thing I think is so beautiful—is how multifaceted the storytelling is here. It’s educational. It really tells the story of Exodus, Leviticus, Numbers, and so on, and then we dig in and get to tell the human story.

It’s like zeroing in on Google Maps. You’ve got the map, then a view, and then you’re think, “Oh, let’s go satellite.” You see that it’s a little grubby over there, or you see this or that.

In this show, through just some extrapolation, you’re able to be into it, and you sympathize and empathize with like what it must have been like.

You know, when you open yourself to the elements, and how much you know—like we talked about earlier—it’s going back to how we deal with fear or whatever. This is a beautiful way to show the world what these stories are like when we when we deal with our fears.

In comedy, it bumps up against our passions, and we do silly things. If we were doing drama, this situation would be terrible, it would make us feel pain. But in comedy, we can elevate that to the extent where it’s just ridiculous. And in real life, a lot of time, we are ridiculous.

You know, sometimes you can’t write this stuff. That’s what I love about this show. It feels timely because everybody is so passionate right now, and it makes us do things that sometimes—in spite of our best intentions—have some ridiculous outcomes. The journey is what it is.

PKP: That’s what I like; how each episode is coming back to, “It’s us and we’re in this together, and we’ll figure this out together. But at the same time, God is watching over us.”

In last night’s episode, I was laughing about one scene where Moses was reading the law God had given him on the mountain and the Scripture he was reading hit me. I wrote it down and looked up the Scripture because it reflected something I am going through in my life.

SHEREEN KHAN: Oh, beautiful.

PKP: We are at the end of our time. Do you have any last thoughts?

SHEREEN KHAN: For me, one of the things is how this show demonstrates time and again, how important faith is such an important way for all of us.

I love that—what we’re doing, and the stories that we’re telling—always comes back to faith. And that’s what gets us through difficult times. The times, the choices, the things when we’re brought to our knees with fear and our own ambition, or proclivity to selfishness, it really is faith that helps us prevail and keeps us in a good place with each other.

Think, The Office. Michael Scott meets Moses in the Book of Exodus wilderness workplace comedy that is both clever andsurprisingly reverent.

Written and directed by Mitch Hudson, assistant director of The Chosen, THE PROMISED LAND Series—streaming on YouTube—reimagines the Hebrews’ desert journey with a fresh comedic and human lens. The result is a comedy that is irreverent toward human flaws, yet deeply reverent toward Scripture.

Many of the cast and crew have been part of The Chosen, including SHEREEN KHAN. An East Indian-American actress, writer, producer, and musician, she is known for playing Queen Herodias in The Chosen, and now plays Miriam in THE PROMISED LAND Series.

BuddyHollywood’s Paula K Parker had the opportunity to chat with Shereen about playing two strong yet flawed women; the challenges of filming in the desert near Saint George, Utah; and her hope that—through this series—viewers will see themselves, their challenges, and their ultimate hope.

 

PAULA K PARKER: Hello, it’s so lovely to meet you. Thank you for taking time to chat with me.

SHEREEN KHAN: Likewise, such a pleasure. Thank you so much for having me.

PKP: When I was sent the trailer and production notes for THE PROMISED LAND, and read, “The Office meets the Old Testament,” I wasn’t sure what to think.

 Then I watched the trailer and laughed out loud. I had to show it to my husband. He belly-laughed. After we watched the pilot, I immediately told all my friends and family, “This is fantastic! You have to watch it!” We have watched through Episode Five and it is wonderful!

 SHEREEN KHAN: Thank you!

PKP: In The Chosen, you portrayed Queen Herodias. On the surface, that role would appear to be completely different from Miriam. Miriam has a kind and loving heart and wants to help her people. On the other hand, I don’t see Herodias being anything but selfish. Yet, they are both very strong women. What did you see coming from playing Herodias to playing Miriam?

SHEREEN KHAN: Such an excellent question because it really does feel like a wide bridge between them. But I think you nailed it; there is a kernel, there is a thread, that connects not just the two of them, but it’s human behavior. It really exemplifies what happens to somebody who faces that fork in the road with fear and human struggles. What happens when you go this way, or what happens when you go that way? It’s about all about your choices.

With Herodias, her fear, her lesser humor, got the best of her. Because of the world she is in, I think she feels her life is threatened; she’s still encapsulated by it. For the character work, I gave her a little bit of the Lady Macbeth treatment, where she’s got these ambitions. Even though she is in a high exalted place as royalty, she is still a woman and she is beholden to the men in her life. Even her own grandfather, you know, murdered her father when she was eight years old. As a result, every threat to her was a literal life-and-death.

In this way, we can humanize our villains and make it easier to make those stories a little acceptable although, by the end of it, we see something brutal and horrible and truly unforgivable.

With Miriam, she chooses her faith and her covenant with God. She’s very human and she fumbles, and there’s folly, and she’s got her own shortcomings in her ability to connect with people. Ironically, her own intelligence and self-awareness becomes her biggest obstacle. And I really think that’s so beautifully written by Mitch and Madison (Hudson); they have really heightened what it is to be a woman in that time and to come with all of these complexities. And that’s really fun to play, and it gives me a lot to interpret. How she can be awkward, maybe even at times, a  little plucky.

PKP: Yes! In the episode where you and Zipporah (Tryphena Wade) were trying to get the tent built. Miriam had a really good design for the tent and Zipporah had this beautiful feminine thing with the jewelry and fancy trim.

Korah (Brad Culver) pointed to her design and said, “No, we’re not going to do that one.” Then you stood up for Zipporah and told the men, “No, we’re going to do Zipporah’s design,” even though you secretly preferred your own design. That was an important moment for me because you portrayed Miriam as wise and kind.

This brings up another question. You’re a comedian. Most of the comedians I know are fantastic at ab-libbing. How much of your role did you get an opportunity to add lib, or where you asked the Director, “Hey, what if Miriam said this or that?”

SHEREEN KHAN: There were definitely opportunities. What’s wonderful about this set is that we’re all given moments and opportunities to riff a little bit and add a little bit of additional point of view.

I have to say the improv isn’t my strongest suit. Sometimes things come to me, and that is something I’m actually working on. But the rest of the ensemble, they’re so good at it, every one of them like it. Artoun Nazareth, who plays Joshua, does professional improv comedy in real life. Majed Sayess, who plays Aaron, is the standard of comedian, and on and on.

But it’s really fun to play when given the opportunity, and especially during the interviews segments. Sometimes we get opportunities for extra moments. Like the buttons that are the camera lens pegs—where we look to the camera—sometimes they’re scripted, but a lot of times it’s just like you go with your gut. I really lean into physical comedy when it’s available; that’s really my favorite.

PKP: I could see you have those beautiful nuances with your facial expressions, where you convey so much with a look and not too many words. That says a lot about you as an actress.

SHEREEN KHAN: Thank you. I have a lot of fun with it.

PKP: When you did The Chosen, it was filmed in Texas, but THE PROMISED LAND is filmed in Utah. How was it to be filming there? It looks hot and desolate.

SHEREEN KHAN: It seems that way. Saint George, Utah, where we were, is a lovely community and we felt so welcomed by the people. I adored every minute of it.

When we first started, when it came down to facing the elements and shooting in the desert, it was all right. I’m okay with heat for the most part. But as we progressed through the shoot, the desert has these extremes that come out of nowhere. One day, it can be absolutely beautiful, and the next day, it has gusting, gale-force winds, and—even though it is 50°—it feels like it’s below 0°.

There are scenes I am fascinated and amazed at, like when the men were building the tent and we would have to hold for wind. It was freezing and the costume department would come in and huddle us and hug us with these big police jackets and blankets and thermal blankets. And then we continued and the wind is a gentle breeze. I thought, “How are our teeth not chattering?”

It just goes to show how we were all into it. It really felt harrowing, but in conditions like that, it was like you were in the bunkers together. We had a great time. But that’s part of being on location.

PKP: The trailer for THE PROMISED LAND make you think this is going to be a light comedy, but it’s more. I can see where someone who struggles with low self-esteem, or anger, or other challenges, could watch what some of the characters are facing and think, “I know what that’s like.”

Watching you and the other cast members and these different episodes is wonderful, because instead of being stained-glass saints, your characters are human. They are ordinary people, and that makes them so accessible. I think, going further into the series, this is going to resonate even more.

SHEREEN KHAN: Thank you. That means a lot. That is obviously the goal.

PKP: Beyond that goal, what else do you want the audience to take away from seeing THE PROMISED LAND?

SHEREEN KHAN: I think that it’s relatable and—one thing I think is so beautiful—is how multifaceted the storytelling is here. It’s educational. It really tells the story of Exodus, Leviticus, Numbers, and so on, and then we dig in and get to tell the human story.

It’s like zeroing in on Google Maps. You’ve got the map, then a view, and then you’re think, “Oh, let’s go satellite.” You see that it’s a little grubby over there, or you see this or that.

In this show, through just some extrapolation, you’re able to be into it, and you sympathize and empathize with like what it must have been like.

You know, when you open yourself to the elements, and how much you know—like we talked about earlier—it’s going back to how we deal with fear or whatever. This is a beautiful way to show the world what these stories are like when we when we deal with our fears.

In comedy, it bumps up against our passions, and we do silly things. If we were doing drama, this situation would be terrible, it would make us feel pain. But in comedy, we can elevate that to the extent where it’s just ridiculous. And in real life, a lot of time, we are ridiculous.

You know, sometimes you can’t write this stuff. That’s what I love about this show. It feels timely because everybody is so passionate right now, and it makes us do things that sometimes—in spite of our best intentions—have some ridiculous outcomes. The journey is what it is.

PKP: That’s what I like; how each episode is coming back to, “It’s us and we’re in this together, and we’ll figure this out together. But at the same time, God is watching over us.”

In last night’s episode, I was laughing about one scene where Moses was reading the law God had given him on the mountain and the Scripture he was reading hit me. I wrote it down and looked up the Scripture because it reflected something I am going through in my life.

SHEREEN KHAN: Oh, beautiful.

PKP: We are at the end of our time. Do you have any last thoughts?

SHEREEN KHAN: For me, one of the things is how this show demonstrates time and again, how important faith is such an important way for all of us.

I love that—what we’re doing, and the stories that we’re telling—always comes back to faith. And that’s what gets us through difficult times. The times, the choices, the things when we’re brought to our knees with fear and our own ambition, or proclivity to selfishness, it really is faith that helps us prevail and keeps us in a good place with each other.

Think, The Office. Michael Scott meets Moses in the Book of Exodus wilderness workplace comedy that is both clever andsurprisingly reverent.

Written and directed by Mitch Hudson, assistant director of The Chosen, THE PROMISED LAND Series—streaming on YouTube—reimagines the Hebrews’ desert journey with a fresh comedic and human lens. The result is a comedy that is irreverent toward human flaws, yet deeply reverent toward Scripture.

Many of the cast and crew have been part of The Chosen, including SHEREEN KHAN. An East Indian-American actress, writer, producer, and musician, she is known for playing Queen Herodias in The Chosen, and now plays Miriam in THE PROMISED LAND Series.

BuddyHollywood’s Paula K Parker had the opportunity to chat with Shereen about playing two strong yet flawed women; the challenges of filming in the desert near Saint George, Utah; and her hope that—through this series—viewers will see themselves, their challenges, and their ultimate hope.

 

PAULA K PARKER: Hello, it’s so lovely to meet you. Thank you for taking time to chat with me.

SHEREEN KHAN: Likewise, such a pleasure. Thank you so much for having me.

PKP: When I was sent the trailer and production notes for THE PROMISED LAND, and read, “The Office meets the Old Testament,” I wasn’t sure what to think.

 Then I watched the trailer and laughed out loud. I had to show it to my husband. He belly-laughed. After we watched the pilot, I immediately told all my friends and family, “This is fantastic! You have to watch it!” We have watched through Episode Five and it is wonderful!

 SHEREEN KHAN: Thank you!

PKP: In The Chosen, you portrayed Queen Herodias. On the surface, that role would appear to be completely different from Miriam. Miriam has a kind and loving heart and wants to help her people. On the other hand, I don’t see Herodias being anything but selfish. Yet, they are both very strong women. What did you see coming from playing Herodias to playing Miriam?

SHEREEN KHAN: Such an excellent question because it really does feel like a wide bridge between them. But I think you nailed it; there is a kernel, there is a thread, that connects not just the two of them, but it’s human behavior. It really exemplifies what happens to somebody who faces that fork in the road with fear and human struggles. What happens when you go this way, or what happens when you go that way? It’s about all about your choices.

With Herodias, her fear, her lesser humor, got the best of her. Because of the world she is in, I think she feels her life is threatened; she’s still encapsulated by it. For the character work, I gave her a little bit of the Lady Macbeth treatment, where she’s got these ambitions. Even though she is in a high exalted place as royalty, she is still a woman and she is beholden to the men in her life. Even her own grandfather, you know, murdered her father when she was eight years old. As a result, every threat to her was a literal life-and-death.

In this way, we can humanize our villains and make it easier to make those stories a little acceptable although, by the end of it, we see something brutal and horrible and truly unforgivable.

With Miriam, she chooses her faith and her covenant with God. She’s very human and she fumbles, and there’s folly, and she’s got her own shortcomings in her ability to connect with people. Ironically, her own intelligence and self-awareness becomes her biggest obstacle. And I really think that’s so beautifully written by Mitch and Madison (Hudson); they have really heightened what it is to be a woman in that time and to come with all of these complexities. And that’s really fun to play, and it gives me a lot to interpret. How she can be awkward, maybe even at times, a  little plucky.

PKP: Yes! In the episode where you and Zipporah (Tryphena Wade) were trying to get the tent built. Miriam had a really good design for the tent and Zipporah had this beautiful feminine thing with the jewelry and fancy trim.

Korah (Brad Culver) pointed to her design and said, “No, we’re not going to do that one.” Then you stood up for Zipporah and told the men, “No, we’re going to do Zipporah’s design,” even though you secretly preferred your own design. That was an important moment for me because you portrayed Miriam as wise and kind.

This brings up another question. You’re a comedian. Most of the comedians I know are fantastic at ab-libbing. How much of your role did you get an opportunity to add lib, or where you asked the Director, “Hey, what if Miriam said this or that?”

SHEREEN KHAN: There were definitely opportunities. What’s wonderful about this set is that we’re all given moments and opportunities to riff a little bit and add a little bit of additional point of view.

I have to say the improv isn’t my strongest suit. Sometimes things come to me, and that is something I’m actually working on. But the rest of the ensemble, they’re so good at it, every one of them like it. Artoun Nazareth, who plays Joshua, does professional improv comedy in real life. Majed Sayess, who plays Aaron, is the standard of comedian, and on and on.

But it’s really fun to play when given the opportunity, and especially during the interviews segments. Sometimes we get opportunities for extra moments. Like the buttons that are the camera lens pegs—where we look to the camera—sometimes they’re scripted, but a lot of times it’s just like you go with your gut. I really lean into physical comedy when it’s available; that’s really my favorite.

PKP: I could see you have those beautiful nuances with your facial expressions, where you convey so much with a look and not too many words. That says a lot about you as an actress.

SHEREEN KHAN: Thank you. I have a lot of fun with it.

PKP: When you did The Chosen, it was filmed in Texas, but THE PROMISED LAND is filmed in Utah. How was it to be filming there? It looks hot and desolate.

SHEREEN KHAN: It seems that way. Saint George, Utah, where we were, is a lovely community and we felt so welcomed by the people. I adored every minute of it.

When we first started, when it came down to facing the elements and shooting in the desert, it was all right. I’m okay with heat for the most part. But as we progressed through the shoot, the desert has these extremes that come out of nowhere. One day, it can be absolutely beautiful, and the next day, it has gusting, gale-force winds, and—even though it is 50°—it feels like it’s below 0°.

There are scenes I am fascinated and amazed at, like when the men were building the tent and we would have to hold for wind. It was freezing and the costume department would come in and huddle us and hug us with these big police jackets and blankets and thermal blankets. And then we continued and the wind is a gentle breeze. I thought, “How are our teeth not chattering?”

It just goes to show how we were all into it. It really felt harrowing, but in conditions like that, it was like you were in the bunkers together. We had a great time. But that’s part of being on location.

PKP: The trailer for THE PROMISED LAND make you think this is going to be a light comedy, but it’s more. I can see where someone who struggles with low self-esteem, or anger, or other challenges, could watch what some of the characters are facing and think, “I know what that’s like.”

Watching you and the other cast members and these different episodes is wonderful, because instead of being stained-glass saints, your characters are human. They are ordinary people, and that makes them so accessible. I think, going further into the series, this is going to resonate even more.

SHEREEN KHAN: Thank you. That means a lot. That is obviously the goal.

PKP: Beyond that goal, what else do you want the audience to take away from seeing THE PROMISED LAND?

SHEREEN KHAN: I think that it’s relatable and—one thing I think is so beautiful—is how multifaceted the storytelling is here. It’s educational. It really tells the story of Exodus, Leviticus, Numbers, and so on, and then we dig in and get to tell the human story.

It’s like zeroing in on Google Maps. You’ve got the map, then a view, and then you’re think, “Oh, let’s go satellite.” You see that it’s a little grubby over there, or you see this or that.

In this show, through just some extrapolation, you’re able to be into it, and you sympathize and empathize with like what it must have been like.

You know, when you open yourself to the elements, and how much you know—like we talked about earlier—it’s going back to how we deal with fear or whatever. This is a beautiful way to show the world what these stories are like when we when we deal with our fears.

In comedy, it bumps up against our passions, and we do silly things. If we were doing drama, this situation would be terrible, it would make us feel pain. But in comedy, we can elevate that to the extent where it’s just ridiculous. And in real life, a lot of time, we are ridiculous.

You know, sometimes you can’t write this stuff. That’s what I love about this show. It feels timely because everybody is so passionate right now, and it makes us do things that sometimes—in spite of our best intentions—have some ridiculous outcomes. The journey is what it is.

PKP: That’s what I like; how each episode is coming back to, “It’s us and we’re in this together, and we’ll figure this out together. But at the same time, God is watching over us.”

In last night’s episode, I was laughing about one scene where Moses was reading the law God had given him on the mountain and the Scripture he was reading hit me. I wrote it down and looked up the Scripture because it reflected something I am going through in my life.

SHEREEN KHAN: Oh, beautiful.

PKP: We are at the end of our time. Do you have any last thoughts?

SHEREEN KHAN: For me, one of the things is how this show demonstrates time and again, how important faith is such an important way for all of us.

I love that—what we’re doing, and the stories that we’re telling—always comes back to faith. And that’s what gets us through difficult times. The times, the choices, the things when we’re brought to our knees with fear and our own ambition, or proclivity to selfishness, it really is faith that helps us prevail and keeps us in a good place with each other.

SOCIALS